Editorial

Telenovela Giants

Telenovela Stars

Taking a look at the world of telenovelas

Europe

Latin America: Telenovelas, Fiction and Formats

Asian European Markets: Telenovelas, Fiction and Formats

United States
: The powerful Hispanic market

Laws & Regulations

The fourth window for contents

Latin American Writers Seedbed

Investigation

























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How to make contents cross frontiers. And make money cross too!

 

 

General prospects of the US and Europe
What is working and what is not?

 


 

Beyond channel surfing, mobile and Internet audiences have fingers that move much more quickly. It is necessary to somehow catch the consumer in 10 to 15 seconds. Viral video success is surprising and getting more than one visionary enthusiastic about. "Comedy and music is what captivates users the most," says Frank Chindamo, President and Creative Manager at the North American company Fun Little Movies and adjunct professor at the University of South California, where he teaches a course he himself designed on Viral Mobile and Internet Production and Scriptwriting.

 


 

We are talking about the future of television. What’s next for TV? What’s coming for IPTV and mobile TV? What kind of contents? Comedy, drama, gossip, celebrities, weather, adult and teen programming… Which will be the original form of mobile entertainment? There is something called Viral Video. It is defined by Wikipedia as modern, entertaining and user generated content that is then distributed among millions of people through the Internet.

Which is today’s most successful Internet genre?
Music is successful at Youtube site, but the user generated comedy I am talking about is even more successful. UGC may mean rebellious cretin with a camera, it may also mean rebellious cretin with a camera recording girls` underwear collection. Advertisers and companies such as Dove are venturing and requiring generated commercials in websites. Isn’t this attractive and original?

Cultural universe language

What makes viral content especially applicable to comedies? It could be applied to any genre. Expert Chindamo`s answer is that it must have a good title, since on the net and phones people usually see only the titles, so it must be ingenious. “At Fun Little Movies we produce a show called Love Bytes, which can be reached at www.lovebytes.net and is about rupture and entertaining. It is supposed to be fun, as one of its tricks is a game on international words at an intuitive level. Instead of using words with a cultural base, they use words that are in the cultural universe such as love, fun, small, film, etc.,” he states.

What must a mobile episode have to be successful?
Great content. It does not matter whether they are dealing with great works of art or just any topic: one way or another it must have irresistible content, and that is how they become viral and extremely profitable. Chindamo says they have thirty different Fun Little Movies distribution contacts around the world. “We were very lucky to find a kind of secret source to make comedies that cross international frontiers and so we got an international audience, like in the case of Air Game in South Africa, Hungary and India; Media Gateway in United Arab Emirates and Israeli audience. Central comedy is extremely popular here in the US, but most of them have American cultural referents that cannot be translated and do not go over frontiers. We have achieved exactly the opposite,” he affirms. A further issue the expert mentions is the demographic one. “Most of mobile phone users are mobile TV subscribers, and it is made up of more men than women. Many of my competitors, such as comedy.com, are targeted at men between 18 and 24 years old. We target at this group, but also at their women and children,” he specifies and maintains they should aim at general audiences.

 

 

“The power of the series that repeat weekly and can be kept for 6 to 12 months aims at getting to a turning point that makes comedy take off if it has good content.” In TV, it is easier to identify quickly what content is about, and this should be achieved with mobile content. If it is a comedy, it must make people laugh within 10 to 15 seconds.” – Frank Chindano.