PRINCIPAL

Summary

Editorial

Ibero-American Television. A titanic fight

Telenovelas Giants

Taking a look at the world of the telenovelas

Latin American Writers' seedbed

Reality shows and formats in Latin America
A lot of millions and huge technical equipment


  United States The powerful hispanic market

Investigation

Picture Gallery

Data on the First World Summit of the Telenovela Industry

 
 
  Data on the
First World Summit
of the Telenovela Industry
 

  An industry over 2 thousand million dollars  



 

  Carlos Bardasano, President at Venevisión Continental and
vice-president of Cisneros Group.
 
When we talk about telenovelas global figures we mean a clear Latin American product which is exported; an industry of over 2,000 million dollars with a coverage of 100 countries, transmitted in 50 languages and dialects. Telenovelas produce around 1,600 million dollars in the region and sales abroad add 341 millions”, according to Carlos Bardasano, president of Venevisión Continental and vice-president of Cisneros Group, who provided that information during the First Telenovela Summit in Miami. “Each year, more than 12 thousand hours of novelas are produced in the region, with an average cost of 48 thousand dollars per hour, an investment close to 650 million a year”. Bardasano estimates that for each dollar invested in producing a program, the channel which broadcasts it gets 2.5 dollars in adversiting.
“Broadcasting 120 episodes in six months is less risky than a unique program, such as a concert or a sport event since both of them could fail for several reasons”, pointed out Bardasano (Data from research carried out by Cisneros Group).



hrough TVMAS, a magazine specialized in the business of Hispanic television industry in the world, with headquarters in Miami and correspondents offices in more than 14 countries over the world, and myself as director, I have followed up the past and present of some aspects such
as production, commercialization and spreading of telenovelas.
 

  Amanda Ospina, director of TVMAS magazine, of ONLY TELENOVELAS and mastermind of the summit, during an interview granted to the Miami Herald newspaper during the 1st. Summit of Telenovelas in this city.
 

All these analyses add a view that allows us to understand, in a significant way, the economic data of an industry which are essential for a correct understanding, not only of the markets but also of the esthetics and formal features regarding the genre.
The fact is that there is a big telenovela development and a big work of Latin American factories. Even though there is a future full of opportunities for the experienced Latin American industry, there are also challenges. Thus, we believe that the summit is part of this work, part of the marketing, of the spreading, of a global analysis unity as a need and the will to keep on promoting the genre.
Though there are those who state that these days the telenovela boom is worn out and that the world market is flooded with a bigger supply than what is really required, data allows us to extol this business which is far from dying.


  Production schemes in the United States  

 

  James Mcnamara, president of Telemundo Networks in Uinited States.  
think that, according to the amount of sales of productions in other parts, the conclusion is that this is closely related to the Star power. The recognition of artists is essential and in the productions that have been carried out in Miami, that has not been observed. As revenge, we invited Gabriela Spanic as the star, she is a well-known Televisa artist and this helped us a lot.
We should also bear in mind different kinds of telenovelas, if it is true that Televisa makes melodramas in an extraordinary way, we will also have to think of alternatives with comedies or other genres. “Betty la fea and Pedro el Escamoso were very successful, but this is a market with some obstacles apart from the scheme Televisa has imposed. Comedies are almost out of the telenovela world, but when you have it, it is like pure gold. Basically, we focus on our own productions because we have had acquisitions and they went well but also badly. We decided to take risks and Amantes del desierto turned into a success, but even in the co-productions there are difficulties in understanding this market. Therefore, we are the only ones betting in some products, working with independent production companies such as Promofilm, RTI, and Argos in Mexico, which are exclusively producing for us. However, all these schemes represent complexities, and we talked about this in the First World Industry Telenovela Summit, held by TVMAS in Miami, to whom I thank for the invitation.” Words from the opening speech of James McNamara, Telemundo Networks president and CEO.