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In the
whole of Latin America there is
no show more popular or successful
than telenovelas.
Its history goes back to the 50s
in the last century when Venezuela
and Mexico became the cradle of
the best melo-dramas of the world,
wrapped in a strange kind of series
called telenovela.
Those steps were quickly followed
by Argentina and Brazil who established
their own standards and characteris-tics
that differentiated them from
Venezuela and Mexico with a telenovela
that included a language and treatment
similar to those of the cinema.
In the frame of these references
and Mecca of the genre, Colombia,
already in the 70s, started to
produce a telenovela in which
it also made contributions experimenting
with comedy, literature and magic
realism. In this way, in the 80s,
the genre was in its period of
pre splendor: Televisa, who has
more product and more experience
in labor hand and marketing opened
the gap and followed by Brazil,
Venezuela and Colombia, they exported
a successful Latin American TV
product.
Telenovelas had conquered a TV
time that was born in hands of
American industry and took over
the prime time. The famous American
series were pushed out of the
program planning because the public
reacted in different ways, in
masses and euphorically at Los
Ricos También Lloran, Esmeralda
and Cristal.
The decade of the 90s represented
the globalization of a successful
Latin American TV product and
Europe and Asia have bought it
for this reason. Kasandra, Esmeralda,
Celeste, Betty la Fea and others
have made audiences of all kinds
vibrate ecstatically.
Today telenovelas factories in
Latin America have a 50-year experience
producing thousands of episodes
of telenovelas of all kinds and
shapes. An experience that in
other countries is just improvisation.
That is the difference. Styles
and ways of producing that have
been learnt along 50 years, are
the cause of these telenovelas,
which have become massive shows,
tools for the channels to create
faithful TV audience, marketing,
advertisement and communication
products.
This decade of the new century
will be its splendor decade
a splendor that will glitter for
50 years or more worldwide. Only
if the industry works in favor
of the multiple possibilities
that telenovelas have to exploit
and offer.
ONLY TELENOVELAS
Año 1 Nº 1
Edition - NATPE - MIPTV-2004
Directora
ejecutiva:
Amanda Ospina
amanda@tvmasmagazine.com
Editor:
Marcela Herrain
redaccion@tvmasmagazine.com
Redacción:
Verónica Díaz;
Lorena Sanchez;
Ricardo Mendez
redaccionusa@tvmasmagazine.com |
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Corresponsales:
Alemania, Eva Usi
Argentina, Lorena Sánchez;
Ricardo Méndez; Laura
Chertkoff
Brasil, Cristina Padiglione
y
Kerla Jímenez
Bosnia, Leja Panjeta
Colombia, Claudia Beltran
España, Victoria
Manno; Elizabeth Marin-Casas
Eslovenia, Tjasa Kogej
Francia, Sonia Garcia
IIsrael, Ines Weller
Korea, Sanneth Ariou
México, Jose
A. Gallardo
Polonia, Magda Adamcio
Venezuela, Adriana
Goyeneche |
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Corrección:
Ruth V. Laflheure
English Translation:
Cristina Pailos
Mariana Grandoso
Diagramación:
www.Dek51.com.ar
Comunicacion Integral
Diseño y Programación
Web:
www.Dek51.com.ar
Comunicacion Integral |
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Suite 310 - Miami, Fl. 33186 - U.S.A.
- Phone (1-305) 275-1737 Fax 270-0734
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